From the last 5 years as a professional digital photographer, I’ve had the great fortune to shoot at Hollywood Green Screen (or Green Screen, Hollywood as it is more commonly known) a good number of times. The amount of professionalism and reliability exhibited by the personnel I worked with needs to be appreciated. This has encouraged me to publish this for individuals like me who are thinking about knowing more about professionals who’re in the business of offering green screens, backdrops, illumination fixtures as well as other types of products that is needed to make a shot come out really well.

If you’re scanning this article, I’m assuming you are also in the movie making business or in the photography business. Chances are that you take part in creating different types of videos too. For instance, if you’re involved in either music or commercial videos, you could approach Hollywood Green Screen pertaining to the employment of the production products these studios have. You can even use the actual studio if you need to do some part of a documentary or to try out your casting and video auditions.

Hollywood Green Screen studios are specially great with regards to offering the required infrastructure for corporate videos where you are trying to project a real professional image. If you have a specific need to have a take that is used in company brochures and marketing material, this could be shot with the aid of the Hollywood Green Screen staff members, who’re totally competent to help you.

If, on the other hand, you are searching for a studio where Special FX can also be achieved at a price that does not burn a hole on your bottom line, then you should take a look at exactly what Hollywood Green Screen has. In the first place, you could use the area, along with the apparatus and the services of a camera man and a sound technician, for a relatively inexpensive hourly pay of $200. If you realize that you would want the place for a considerably longer time, you can also think about renting the studio for a whole day. This would be a lot less expensive, because if you rent the studio for four hours, you get yet another four hours free. That means that you just pay $800 for eight hours, an appealing $100 per hour. It is a steal and this comes with the skills of the personnel and technicians according to your need.

The next time you are in Hollywood; don’t go around in circles asking yourself where you are likely to get yourself a good studio to complete your shoots. Simply call Mike at Hollywood Green Screen, who has the most pleasing manner with regards to conversing with customers. He can assist you to get exactly what you are looking for, because he’ll also be in a position to make a couple of suggestions that will do a great deal for your photo/video shoot.

There are so many other sites offering various forms of advice on how to use green screen but most of them are not very detailed or concise. Make sure to check my own articles and reviews on Green Screen Hollywood and Green Screen Rentals, You can also reach me at 1-323-851-3825 or phillipguye@hotmail.com

Filming at a green screen studio is a very fantastic experience. Filming is quite easy as you don’t have to shuttle between various locations. Additionally , it does not shake your budget up as well. These days, movie-makers are giving lots of consideration to how much money that they would likely invest on a film. It is crucial for them to count each and every dollar prior to shelling it out. No wastage can be afforded as funds are in such a short supply. Hence in the event that you were to take in a facility like this, you must ensure that your cash was invested properly and not a dollar must be tossed down the drain.

Searching for a studio that can provide the special-effects making technologies that a green screen studio presents should be one of the items that are on top of a director’s list. This runs specifically true in case he is capturing a movie that involves dinosaurs and oversized crocs, or perhaps a scene with J Lo and Brad Pitt as they lay around sensuously on the mossy grounds of an incredible, alien Amazon woodland. He certainly won’t be successful if he is going to start looking for a real forest, aiming to shoot these kinds of prehistoric animals.

Instead of trying to do the impossible, he could simply approach the technical staff members of green screen studio and these people can help him a great deal. They would certainly be capable to assist him by supplying workable recommendations in generating just the sort of ambience that he is looking for. Considering the fact that he is seeking for a thing out from the Ice Age, he may have to be very clear on his specifications. Whether it be prehistoric monsters or the setting of an exotic land, anything is possible with green screen studio.

As soon as the specifications are noted to the personnel with green screen studio, it is their task to give all the tools required to make sure that the particular shot is completed according to the actual specs supplied. During the year, the team is faced with challenging changing situations where the demands keep getting increasingly more harder than before. Nonetheless, they try their best to provide what the director is looking for to ensure that they are able to maintain their status as the best all-in-one shop for all studio essentials.

Because green screen studio can be hired on an hourly basis, the staff members are usually prepared to operating with flexible hours so that the studio could be engaged for a more lengthy stretch of time with a significantly cheaper expense. The total amount paid also entitles the director and the team to be assisted by a technical staff of the studio. This staff would ensure that all the green screen studio equipment will work accordingly and correctly. As soon as this is done, the job can go on unhindered and the final result is usually a whole lot better than what the director was hoping for. Even the artists are now experiencing that awareness of professionalism encircling the whole studio which also includes the staff as well.

There are so many other sites offering a variety of forms of advice on how to use green screen but a lot of them are not very specific or concise. Before following these, make sure to check my own articles and reviews on Green Screen Studio and Green Screen Rentals, additionally, you can reach me at phillipguye@hotmail.com or 1-323-851-3825

Life in a green screen studio can be exciting, if you are not one of the cameramen, that is. It can be so lifeless and boring to keep preparing and rearranging the lighting and all of the apparatus that is there in the studio. On the other hand, for you and I who watch only the finished product, life in a studio (that boasts of the best quality of green screens) looks to be very exciting. One wonders how it is feasible to capture on film someone being chased by a tiger or something even worse.

There are photographs in papers and magazines of football players at a match. Sometimes, there is a picture of a particular player whose expression is caught for eternity, or so we think. It is quite possible that this expression was caught in the vicinity of a green screen studio and not on the soccer field. A picture of the football match in progress is superimposed on the green screen that has already served as the background in the studio. The soccer player is asked to stand in front of the screen, a look of ecstasy on his face, to copy that which he had when he made that brilliant pass in a vital league match against an arch rival team.

Naturally, not all footage is orchestrated on a green screen studio; there are a few photographers who risk their lives to capture live action on film. These are people who belong to a totally different breed. Their love for the art of photography can take them to places that they have never been to and get them concerned in situations that might often even cost them their lives. For instance, prize winning photographers don’t win awards based mostly on stills that are taken in a studio with a green screen. Rather, they win awards based primarily on pictures taken out in real life without the CGI effects that are conveniently and simply created using a green screen studio.

Similarly, there are many photo executives who believe that it is important to capture wild animals on film, risking their lives in the middle. One classic example of this is the sad story of Steve Irwin, who was fatally attacked by a stingray. There is not any chance of attempting to duplicate this sort of a going down inside a green screen studio ; unless of course, someone is attempting to make a movie on Irwin, whereby the actor has to enact the final moments of the ‘croc hunter’ as Steve Irwin was fondly called.

Here, the actor will be asked to do all the movements and facial expressions that Irwin would have demonstrated in his last moments against the background of a green screen studio. Once this is done, the superimposing of the underwater battle between the stingray and the dying Irwin would be carried out by the film editing and compositing methodologies that are helped by the newest software, available in the flick industry today.

There are a lot of other websites offering various forms of advice on how to use green screen but a lot of them are not very detailed or concise. Before following these, be sure to check my own articles and reviews on Green Screen Techniques and Green Screen Studio, additionally, you can reach me at phillipguye@hotmail.com or 1-323-851-3825

Filming at a green screen studio is an extremely fantastic experience. Filming is incredibly convenient as you do not have to shuttle between different destinations. Additionally , it does not wring your spending budget up as well. Nowadays, film-makers are giving lots of consideration to the money that they would likely invest on a movie. It is important for these people to count each and every dollar before shelling it out. No wastage can be afforded as funds are in such a short supply. Hence in the event that you were to shoot at a place like this, you have to make sure that your money was invested well and not a single dollar must be chucked down the drain.

Searching for a studio that can offer the special-effects generating technology that a green screen studio presents must be one of the items that are on top of a director’s list. This is also true in case he’s capturing a movie that involves dinosaurs and large snakes, or maybe a scene with J Lo and Brad Pitt as they lounge around sensuously on the mossy grounds of an incredible, alien Amazon forest. He certainly won’t be profitable if he will go about looking for an actual forest, aiming to shoot these prehistoric creatures.

As opposed to trying to carry out the impossible, he could just approach the technical staff members of green screen studio and these people could assist him a great deal. These people would certainly be capable to support him by supplying usable recommendations in making just the sort of atmosphere which he is looking for. Contemplating the reality that he is looking for something out of the Ice Age, he will have to be quite clear with his specifications. Whether it be prehistoric monsters or the setting of an amazing land, anything is achievable with green screen studio.

Once the requirements are known to the personnel at green screen studio, it is their task to give all the tools required to make sure that the particular shot is executed in accordance to the actual specs offered. All through the year, the staff is faced with challenging ever-changing conditions where the demands keep getting more and more harder as compared to before. Nevertheless, they do their best to deliver what the director is trying to find so that they are able to maintain their reputation as the best all-in-one shop for all studio essentials.

Because green screen studio may be hired by the hour, the personnel are generally prepared to operating with adaptable hours in order that the studio can be engaged for a lengthier period of time at a much lesser expense. The total amount paid for also entitles the director and the team to be served by a technical personnel from the studio. This personnel assures that all the green screen studio gear will work properly and correctly. As soon as this is done, the work can continue unhindered and the end result is a whole lot better compared to what the director was hoping for. Even the artists are now experiencing that sense of professionalism surrounding the entire studio which includes the staff members as well.

There are so many other websites giving different forms of advice on how to use green screen but a lot of them are not very detailed or concise. Before following these, be sure to check my own articles and reviews on Green Screen Studio and Green Screen Rentals, You can also reach me at 1-323-851-3825 or phillipguye@hotmail.com

Green screen Hollywood technology, also known as chroma key is a system employed by filmmakers to mix 2 separate pictures together. This works by making the background ( a solid color which is mostly green or blue ) transparent to reveal another image which is the actual background that will be shown on film. This strategy of filming is also known as color keying, blue screen, and color separation overlay ( CSO ). It was basically used for weather reports. Forecasters were shot in front of chroma key screens and the background got replaced by actual maps that indicate weather estimates. The chroma key system is also used by filmmakers and photographers alike.

The green screen first made its appearance in the 1930′s at RKO Radio pictures. The background used back then was blue. This technique of film making was developed to create special effects for the film “The thief of Bagdad.” apart from the chroma key technique, filmmakers depended on an awfully boring and laborious process called “travelling matte.” This made transition such as “wipes” possible.

Larry butler is understood to be responsible for pioneering the blue screen method. In reality, he even took home an Academy Award for visual effects for his work in “The thief of Bagdad.” After his pre-eminence in the 30′s, servant was the first person to use chroma key technology in Technicolor, clearing the path for modern green screen Hollywood technology.

The first films to take advantage of Chroma Key technology was the flick adaptation of Ernest Hemingway famous short story, “The Old Man and the Sea,” starring Spencer Tracy. After the “Old Man and the Sea,” more films made use of the chroma key technique. Some famous film that employ chroma key technology are The Empire Strikes Back, Lord of the Rings, Titanic, Star Trek, and even three hundred. Films that employ CGI or computer generated photographs are also made with the help of green screen technology. This is how having out of this world settings and fantastic creatures are able to be shown on film.

Today, green screen Hollywood technology isn’t just restricted to large budget residences. It is also used in photography. From the original blue screen, green was employed later on because filmmakers found out that a green background doesn’t need boring lighting. Cameras are most sensitive to this color, so the result of films shot on green screens are easier to work with and manipulate. With that said, chroma key technology is now known to photographers and filmmakers’ best friend.

There are so many other sites offering different forms of advice on how to use green screen but a lot of them are not very detailed or concise. Before following these, make sure to check my own articles and reviews on Green Screen Studio and Green Screen Hollywood, You can also reach me at 1-323-851-3825 or phillipguye@hotmail.com

There’s not much ‘middle ground’ when it comes to the desirability of betting NFL preseason games. The overly conservative handicappers suggest that its a poor wagering opportunity, while the ‘boiler room’ sports touts try to suggest that short of a fixed game there’s no more sure thing than preseason football. There’s a degree of truth in both views. Handicapping preseason NFL football is a unique discipline unto itself, but with knowledge and caution it can be a profitable endeavor.

First, let’s examine the case against preseason NFL wagering. Clearly the biggest argument against it is the simple fact that the games don’t count. Though spots will exist during regular season games when the motivation and preparation of individual teams may vary, in theory both teams want to win. That’s not always the case in preseason football, since different coaches have different goals. Some might want to just evaluate their personnel, others might want to establish a winning attitude, and all coaches want to keep their stars from getting injured. Factor in all of the variables and conflicting agendas, the preseason naysayer would argue, and there are just too many unknowns to consider taking a financial position on.

The proponent of preseason wagering would argue that this is the very reason that good opportunities frequently arise during preseason. First, additional value is frequently found with the underdog in preseason games by their very nature. To explain, in a hypothetical matchup between a Superbowl champion and an also-ran the “better” team by regular season standards would invariably be favored. However, by virtue of their success the “better” teams have not only more ‘marquee names’ to protect, but also valued guys in the trenches who could cause big problems if injured. Frequently, they’ll have more depth and thus fewer personnel evaluation decisions to deal with. They’ll have no need to “create a winning attitude”, nor will they usually have wholesale changes in team composition, offensive or defensive strategy, or coaching philosophies to deal with. In short, the “better” teams often go into preseason situations with little to accomplish other than to get the games over with and stay healthy.

NFL ‘doormats’, meanwhile, have a markedly different agenda to their more successful counterparts. They’ve often got heated competition for starting positions or key back up roles. They’ve often got new coaching staffs that players want to impress. Most significantly, they’re in great need of establishing a winning attitude. A win against an elite team in a ‘meaningless’ preseason game often has a much greater value to this type of team than to a playoff contender.

Even among teams that don’t worry much about wins and losses during the preseason, they don’t want to go into the season losing them all. For that reason, one of the most successful preseason situations over the past decade and a half have been teams that lost their first two preseason affairs. During that span, 0-2 teams have hit right around 60% against the spread.

Perhaps nothing determines a team’s approach to the preseason more than the philosophy of the head coach. Some coaches simply hate to lose anytime they line ‘em up to play football, and as a result their teams are usually good preseason bets. Bill Parcells was famous for the preseason focus of his teams. Not surprisingly, many who worked with Parcells earlier in their careers are now carving out their own records of preseason success. This sort of dominance isn’t lost on the linesmaker and a coach like the Giants’ Tom Coughlin (a former Parcells assistant) will have his ATS success will definitely been factored into the pointspread. Still, a motivated team that wants to win is always worthy of consideration.

The smart preseason handicapper makes use of the Internet, and more specifically uses it to follow the local sports media of NFL teams. During NFL preseasons, teams’ beat writers are anxious to write stories and need to fill articles but have little in the way of “real” news to write about. As a result, a handicapper can frequently find valuable details like a coach’s goals for the game, playing time for key players, and specific strategies that will be implemented. Occasionally, coaches will come out and say that they’re more interested in evaluating certain players for certain positions than they are in the outcome of the game. A thorough evaluation of this type of media coverage can often produce not only teams to play “on”, but teams with priorities other than winning to play “against”.

The bottom line is that while the NFL preseason does offer some solid moneymaking opportunities, its not a ‘free cash grab’. It’s best viewed as an opportunity to grind out a small profit, but as always its essential to maintain the same degree of discipline in handicapping and money management as at any other time during the pro football season.

Ross Everett is a respected freelance writer experienced in travel, casino gambling and sports handicapping. He is a consulting handicapper for Anatta Sports where he is responsible for providing daily free sports picks. In his spare time he enjoys fine dining, flower arranging and scuba diving. He lives in Las Vegas with four dogs and a pet coyote.

Green screen Hollywood technology, AKA chroma key is a technique used by filmmakers to mix two separate pictures together. This works by making the background ( a solid color which is mostly green or blue ) transparent in order to show another image which is the actual background that’ll be shown on film. This method of filming is often referred to as color keying, blue screen, and color separation overlay ( CSO ). It was essentially used for weather reports. Forecasters were shot in front of chroma key screens and the background was replaced by actual maps that indicate weather forecasts . The chroma key strategy is also used by filmmakers and photographers alike.

The green screen first made its appearance in the 1930′s at RKO Radio pictures. The backdrop used back then was blue. This strategy of film making was developed in order to create CGI effects for the film “The burglar of Bagdad.” apart from the chroma key methodology, filmmakers relied on an especially boring and time consuming process called “travelling matte.” This made transition like “wipes” possible .

Larry servant is thought to be answerable for pioneering the blue screen method. In fact, he even took home an Academy Award for visible effects for his work in “The thief of Bagdad.” After his success in the 30′s, servant was the first one to use chroma key technology in Technicolor, paving the way for modern green screen Hollywood technology.

The 1st films to benefit from Chroma Key technology was the flick adaptation of Ernest Hemingway famous novella, “The Old Man and the Sea,” starring Spencer Tracy. After the “Old Man and the Sea,” more and more films used the chroma key system. Some famous film which make use of chroma key technology are The Empire Strikes Back, Lord of the Rings, Titanic, Star Trek, and even three hundred. Films that utilize CGI or PC generated photographs are also made with the assistance of green screen technology. This is how having out of this world settings and amazing creatures are able to be shown on film.

Today, green screen Hollywood technology isn’t just confined to massive budget studios. It’s also used in photography. From the opening blue screen, green was used later on because filmmakers found out that a green background doesn’t need tedious lighting. Cameras are most sensitive to this color, so the result of films shot on green screens are less difficult to work with and manipulate. With that said, chroma key technology is now known to photographers and filmmakers’ best friend.

There are a lot of other sites offering various forms of advice on how to use green screen but a lot of them are not very specific or concise. Before following these, be sure to check my own articles and reviews on Green Screen Rentals and Green Screen Hollywood, additionally, you can reach me at phillipguy@hotmail.com or 1-323-851-3825

Sports book futures bets are an increasing popular and potentially profitable way to wager on the outcome of a full season. There’s a few common mistakes that novice players make that can be easily avoided by paying attention to the following:

You gotta shop around: More specifically, you have to ‘shop points’ just as you would with a straight bet. This is crucial in all forms of sports betting but particularly key with futures wagers. There are often greater variances in the prices from book to book on future plays than any other type of wagering proposition. The reason for this is simple–most books are less concern with what the ‘other guys’ are doing as they are with keeping their own position ‘in balance’. All in all, the sports betting marketplace just doesn’t react as quickly to changing futures prices as it does to individual game lines.

Don’t try to pick the winner in a competitive marketplace: This may sound sort of counter intuitive since the general idea of betting on futures is to determine the actual winner but it’s really not. Like everything else, its essential to always be mindful of the value you’re getting. In a futures market with several legitimate contenders at the top the price offered is seldom high enough to properly compensate for the risk you’re assuming. Here’s an example: in a hypothetical NCAA hoops tournament Duke is +200 to win the national championship. They’ve certainly got a shot, but at a payback of only 2/1 its hard to justify a wager at this point with the potential for so many interceding events that can make a championship more problematic. Such events as injuries, a tough tournament draw or even just going into a slump at the wrong time can happen to any team but when you bet a higher priced team–a ‘dark horse mid major at 15/1 for example–you’re getting “compensation” for assuming the “risks” of betting on a proposition with so many unknown variables.

In mathematical terms, we’re simply not being offered odds on a favorite that offer a good value in comparison with the ‘true odds’ of the event occurring. Let’s say we bet Duke at +200 to win the NCAA tournament. If we could magically play the NCAA tournament over 100 times, would Duke come out on top more than 33 times? If not, they’re a poor value at the price. At a higher price, I might be interested but at +200 the value is simply not there.

Note that the more competitive the market, the more difficult it is to find good value on the favorites. Since you can make a case for quite a few teams to win the NCAA tournament at this point this particular futures market is clearly a very competitive one. In a less competitive marketplace it might be possible to “pick the winner” and have it be a good value though you will pay a price for this. Here’s a (thankfully) hypothetical example: let’s say the UFC decided to hold a one night round robin tournament with 5 competitors. Competitor #1 would be heavyweight champion Brock Lesnar. The other four competitors would be professional figure skaters Elvis Stojko, Rudy Gallindo, Brian Boitano and Evgeni Plushinko. Even if he didn’t bring his “A game”, Lesnar would be essentially have a 100% certainty of beating the four untrained fighters, who also happen to be rather effeminate. If a sportsbook installed Lesnar as a -1000 favorite a bet on the 63 265 pound takedown would still be theoretically a good value. It’s always difficult to risk so much to win a little, but from a strictly theoretical standpoint its a good play.

Don’t go for the big killing: Sports wagering is not a good arena in which to make a ‘big killing’. It may happen from time to time, but it is extremely rare. A perennial doormat can come out of nowhere to win a championship at a big price, but the fact that it happens from time to time doesn’t make it a good value. If you’re a recreational player and want to throw a few dollars at a big long shot, no real harm. If you aspire to any degree of seriousness as a sports better, however, you need to maintain your discipline and commitment to value at all times. If you want to hit a big jackpot play the lottery or the slot machines, but don’t try to do it in a sports betting paradigm.

Wagering value is just as important at the bottom of the barrel as it is at the top. Just because you’re getting a huge potential payback on a big dog doesn’t make it a good value. Make sure that the payback you’re getting presents an overlay situation–even on a huge underdog.

Don’t waste your money on ridiculous prop bets: Occasionally sports books offer ridiculous bets to get press or to be funny. For example, a book once offered odds on Demi Moore, Ashton Kutcher and Bruce Willis all hopping into bed together and releasing a video tape of the proceedings. You’d no doubt get a huge payback were this to happen, but the ‘true odds’ of such an event transpiring far exceeded even a big potential payback.

Ross Everett is a widely published freelance sports writer and highly respected authority on sports betting odds comparison. He writing has appeared on a variety of sports sites including sportsbooks and sportsbook directory sites. He lives in Las Vegas with three Jack Russell Terriers and an emu. He is currently working on an autobiography of former interior secretary James Watt.

A day after failing to make weight for his fight against Matt Hughes, Thiago Alves dominated the former UFC welterweight champion en route to a 2nd round TKO victory. The main event at UFC 85 in London was somewhat anticlimactic to the fans at the O2 Arena who considered the semifinal matchup between Manchesters Michael Bisping and Jason Day the biggest fight on the card. Bisping actually improved upon his excellent showing against Charles McCarthy at UFC 83 and pummeled Day mercilessly from the top mount position until the fight was stopped just past the 3 minute mark of the first round.

Hughes didnt make any excuses following his one sided loss, saying simply that hes a good fighter and he got me. The longtime king of the UFCs welterweight division also gave notice that his career as an active fighter was drawing to a close, suggesting that he had one fight left and challenging Matt Serra in what presumably would be his retirement match. Hughes had no answer for Alves from the opening horn, as he was stuffed on several takedown attempts early on. When he did finally get his opponent to the ground he was unable to do much damage. Alves, conversely, scored effectively with his striking including several damaging knee strikes. He also did considerable work on the ground, with an elbow strike opening up a large cut on Hughes forehead. Though he didnt get to his knees a la Georges St. Pierre, Alves did make a plea to Dana White for a title shot. His failure to make weight wont help his cause, however, and judging from the UFC Presidents incredulous smirk in response that opportunity wont be immediately forthcoming.

The end came early in the 2nd round as Hughes was caught coming in by a devastating knee strike. He fell to the canvas in a heap and referee Herb Dean was jumping in to stop the contest before Alves could follow up with any punches. As the ringside physician entered the ring to check on the fallen fighter, Hughes gave an indication that his knee was injured. Replays showed that his knee buckled under him in a very awkward fashion as he fell and while the extent of the damage is yet to be determined Hughes indicated in the postfight interview that it was messed up.

Michael Bisping simply overwhelmed Jason Day en route to a lopsided TKO victory. Bisping built upon the improved boxing skills he demonstrated at UFC 83 by unveiling an impressive ground and pound attack. Day never really got anything going and by the last minute of the fight was simply trying to cover up to prevent damage from Bispings elbows and hammer fists.

In other action, Mike Swick used an array of high kicks and a 7 reach advantage to coast to a unanimous decision over Marcus Davis. Davis, a former professional boxer, was unable to get inside against his lanky opponent and was never really in the fight. Like Bisping, Swick may have made an excellent career choice by moving down in weight.

A controversial point deduction for a strike to the back of the head cost Nate Marquardt his match against Thales Leites. Marquardt was solidly in charge for the entire fight, but suffered a point deduction for an illegal knee strike in round one. While that infraction was valid, replays of the 2nd round deduction for the strike to the back of the head gave the impression that he was penalized for a legal strike to the side of the head.

In the opening PPV match, another controversial ending saw Fabrico Werdum defeat Brandon Vera by 1st round KO. The fight had been evenly contested up until the stoppage, with Werdum scoring a couple of takedown and Vera countering with some effective punching. Late in the first round, Werdum got a full mount and began to fire a series of punches. Vera was clearly defending himself and didnt appear to be hurt at all when the referee jumped in to stop the fight. Vera said that hed answered that he was OK when asked by ref Dan Miragliotta and that he was just trying to ride out the round from that position.

Ross Everett is a widely published freelance writer and respected authority on sports betting odds comparison. He writing has appeared on a variety of sports sites including sports news and sportsbook directory sites. He lives in Southern Nevada with three Jack Russell Terriers and an emu. He is currently working on an autobiography of former energy secretary Donald Hodell.

The Oakland Raiders scored the only touchdown of the game in the first quarter and then prevailed in the kicking duel that followed en route to a–9 upset of the visiting Philadelphia Eagles. Much maligned quarterback Jamarcus Russell played his best game of the season despite two interceptions, throwing for 224 yards and a touchdown. It was only the Raiders’ second win of the season, and only the Eagles’ second loss. Oakland now stands at 2-4 while Philadelphia slid to 3-2.

NFL betting enthusiasts who backed the Raiders as a whopping +14 home underdog were never in any trouble as Oakland took the lead late in the first quarter and never relinquished it. Oakland evened their mark against the NFL pointspread at 3-3, while the Eagles dropped to 3-2 against the number. The 22 points scored went well UNDER the posted total of 40′. It was the Raiders’ fourth UNDER in six outings, while it was the Eagles’ first UNDER of the season against four OVER verdicts.

After the victory, Raiders’ coach Tom Cable said for the first time all season his team focused their intensity in the right direction:

“We went out and threw a fight on somebody and said, ‘Enough. Let’s play. That’s all you can say. There’s no magic words or anything like that.”

Last week’s 44-7 loss to the New York Giants may have served a wakeup call to the Raiders. In particular, they were offended by comments made by Giants’ linebacker Antonio Pierce that the game ‘felt like playing a scrimmage’. Raiders’ wide receiver Louis Murphy didn’t dispute the comments but instead took them to heart:

“That gave me extra fuel. You have to look yourself in the mirror and man up. His comments were true. We played flat. We didn’t play with any emotion. This game was totally different. We took those comments to heart.”

The Raiders’ defense received the bulk of the credit for the victory as they pressured Donovan McNabb all day, sacking him six times. The Eagles became the first team in three years to not score an offensive touchdown against the Raiders. Richard Seymour and Trevor Scott each had a pair of sacks, and Scott had the following observation:

“I’m sure they watched the Giants game and thought we were sorry. But all week coach Cable talked about persevering and forget the past and move forward so we can get to where we want to go.”

After the game, McNabb had little to say:

“I’m embarrassed by the way we came out here and played. We’re a much better football team.”

The Raiders will try to put together an actual winning streak as they host the New York Jets next Sunday. Oakland is a +7 home underdog with the total set at 35. They’ll play their hated rivals the San Diego Chargers on the road the following Sunday before a bye week. Philadelphia will play the Redskins at Washington next Monday night. The Eagles are a -6′ road favorite with the total set at 38′.

Ross Everett is a widely published widely published freelance sports writer and respected authority on sports betting odds comparison. He writing has appeared on a variety of sports sites including sports news and betting odds portal sites. He lives in Las Vegas, Nevada with three Jack Russell Terriers and a kangaroo. He is currently working on an autobiography of former energy secretary Donald Hodell.